Near to where I went to school, both primary and secondary schools, and in fact across a lot of London stand blocks of flats built from the beginning of the 20th century, up until the Second World War. They come in many variations around the same idea, some in London Stock with Red Brick edging, some unusually in a Brown Brick. Most have white highlights on the balconies etc. They have stairs, which are sheltered but open, are often built around a courtyard, commonly have four floors above the ground level, (restricted by having no lifts of course) and, (this being the mysterious bit to me when I was a kid), have grass areas surrounding them with odd bulges and an odd design in fencing.
How odd is the design? Well the pavement boundaries are a low wall often topped with a glazed or polished brick, out of which sprang black metal uprights in pairs every 6-7 feet, fixed to these were horizontal poles which ran along and supported meshwork filling the gaps and making the fence.
So far nothing sounds odd, but there was a final element which defied my brain to suss it out for years. Inbetween the uprights, the horizontal poles zigged back from the straight for no reason making little "v"s all the way down the fence - a design element I thought, but why doesn't the mesh follow the zig-zag then, and why are the zig-zags so close to the ends?
In some of the green areas these fences surrounded, the ground bulged up into (often) squared off bulges and once I remember I saw an entranceway into one (Though I can't remember where! Any offers/photos?)
I was quite young and mother pointed out this was a bomb shelter so that made sense as these building were as I said pre-war.
Still I never saw any link to the designer fencing....
.... for there is a link and it's also a good example of reuse of old items, which is more efficient that recycling and shows great ingenuity.
For the "fence panels" were originally stretchers, and as soon as you imagine them cut away from the uprights and rotated around their long axis you can see the zig-zags on the long rods 
are legs for keeping the stretcher off the ground.
It seems so clear to me now, as all things are when looked at with the right perspective; but I'm guessing there are still people who don't realise, particularly as the further we go on in time and more of these are replaced as they are damaged.
Right along from where I took these pictures other sections of the fencing have been changed out for boring arrowed railings and even these 
examples are not original as the original mesh was attached with metal straps which I presume allowed flexibility and movement; desirable in a stretcher, but not in a fence; the panels in the pictures above are welded, however these panels on the left are from Kennings Way and are original.
There are few like this about now - soon these too will probably be gone, but if they are being repaired to keep the zig-zag frames at least, there might still be kids in the future who will look at them and wonder.... and if they are cleverer than me, will puzzle it out.
Laurie Smith
Tucked away in the West End behind Leicester Square and Covent Garden is an unusually named area. I first heard of it when I was watching The Gentle Touch in the early 80s because that TV cop series was set there (albeit that many scenes were filmed in Kennington which I was much more familiar with).
I had no idea why it was called that and to start with I didn't know where it was, I even confused it with Seven Sisters in my mind at first, as I knew of that area from visiting an aunt. In fact however it was named for a sundial, a rather unique one however which has an interesting history.
The original layout of the Seven Dials area was designed by Thomas Neale in the early 1690s as part of the 
great rebuilding programme in London following the Great Plague and Fire. Originally there were to be six roads converging on a central circus, although this was later increased to seven probably in order to maximise the number of houses that could be built on the site, or at least the income that could be raised from the estate, as at that time rental values were based on the frontage, and not on the square footage.
In the middle of the circus was erected a doric column as a centrepiece, with a dial stone of six facets, each with sundials. So where is the seventh dial? Well, 
it's said that the column is itself the 7th gnomon and the circus the dial, though how you would read it and indeed how it would cast a shadow when it's often in the shade of one of the surrounding buildings is a question needing an answer! Sundials however were commonly used as public timepieces in late 17th Century London before the arrival of the accurate clocks of today, as similar 4 faceted ones erected at Convent Garden in 1688 and New Square, Lincoln's Inn from around 1700 testify.
Neale disposed of his interest in the site, and the rest of the development was carried out by individual builders over the next 15 years. Today his involvement is recorded only by two street names - Neal Street and Neal's Yard.
Over the years the area went into decline and by the middle of the 18th century to the extent that 39 night-watchmen were needed to keep the peace; and by the early 19th century the area became famous, together with St. Giles to the north, as the most notorious rookery in London
During this period the column was removed. There are various stories about why, that this was due to it being pulled down by an angry mob or that the column was destroyed in an attempt to find buried treasure which was rumoured to be underneath.
In fact the column was acquired by architect James Paine, who kept the stones at his house in Addlestone, 
Surrey for the following years.
There its story might have ended, but when a popular philanthropist died in Weybridge a collection in her memory was organised by local publican Joseph Todd for a monument to her, Princess Frederica Duchess of York, and the stones were re-erected as a monument in Weybridge. It was decided however that the dial stone was too heavy to cap it, and a ducal coronet was used instead with the base of the column inscribed to the Duchess.
The "Dial Stone" was used as a mounting block at first, later being moved to the Council Offices, then to the west side of the library where it can still be seen.
The Seven Dials Monument Charity was set up in 1984, at the request of Camden Council, to finally restore one of the City's 'great public ornaments' to the now historic conservation area of Seven Dials. Various attempts have made this century to have column the returned to its original site in Seven Dials, but Weybridge refused to return it.
Luckily for the Charity Edward Pierce's original working drawing was held in the British Museum, which enabled 
architect A.D. 'Red' Mason to faithfully reproduce 'this great public ornament'. One of the problems for the project was how to design the foundations so as to satisfy all the authorities whose services ran beneath the Dials. Eventually they built an underground platform which bridges the services.
The column, made from 'Whitebed', one of the finest types of Portland Stone was carved and erected in 1988/89 with the bulk of the work carried out by trainee masons at Vauxhall College and Ashby and Horner Stonemasonry, a large youth training project.
The trainee masons raised and lowered all the stones by hand, using similar methods to those used in the Seventeenth Century. Each section of the column sits on reinforcing pins joining it to the sections below. The whole erecting process took two and a half months.
Caroline Webb designed, carved and gilded the Dial faces with each face enabling different hours of the day to be read, so it was essential that each face was carved exactly to astronomical calculations, and then that the Dial stone, weighing 1 tonne, was placed accurately. In the end three days were spent with an astronomer on site setting the stone so that each of the 6 faces is now accurate within ten seconds.
Once erected two 40 foot Carlsberg Lager Cans hid the Monument until its unveiling, which was performed by Her Majesty Queen Beatrix of the Netherlands, accompanied by her husband Prince Claus 29th June 1989. The lager can advertising raised ￡10,000 for the charity.
Nowadays I often walk through the circus on my way from Charing Cross to Bloomsbury, there are often people hanging about, sitting on the Crepidoma or base around the column drinking either coffee or something stronger. Perhaps the undesirables in the area hanging around the original column was the cause of it being removed. We will never know for sure but it's certainly a nice area on a sunny day, let us hope this one stays put and doesn't move to the country.
Laurie Smith
More information can be found at http://www.sevendials.com/the_seven_dials_monument_charity.htm
Additional Pictures can be seen by clicking on the links in the text
There is a famous photo of the Grand Surrey Canal with a vessel in the foreground and St George’s church in the background. I mentioned it in my previous post on the Grand Surrey Canal. Now St George’s is one of a group of churches know collectively as the Waterloo churches. After Waterloo, an Act of Parliament was passed in 1818 to raise a million pounds as a national thank-offering for peace and as a memorial to the soldiers who had fallen. Seven of these churches were built in south London and all but one of them is in our branch area. St George’s we have seen is in Camberwell. St Matthew with St Jude is the one in the middle of the one way system in Brixton. St John the Evangelist stands at the end of Waterloo Road opposite the IMAX at the bottom of Waterloo Bridge. St Luke’s (the only one not in our branch area) is at the bottom of Knight’s Hill opposite West Norwood cemetery. St Peter’s is just off Walworth Road and St James is just off Jamaica Road in Rotherhithe. Now I’m sure that they all have their own stories to tell, but it is the seventh one, St Mark’s, which stands opposite the Oval tube station in Kennington that I am writing about here. This is the one which I saw most often when, for ten years, I got on and off a bus at the Oval on my journey to and from work at Vauxhall Exchange from the late 70s to late 80s.
St Marks Church stands at the junction of two old Roman Roads, (today’s Brixton and Clapham Roads), and was along with nearby Kennington Park, part of the old Kennington common. The Common was a favourite place for chariot racing and cricket, and for six months of the year cattle and sheep grazed the common. But it had a more sinister use too; until 1799 this was also the site of a public gallows where, in 1746, twenty-one members of the Jacobite Rebellion, captured at Culloden Moor, were executed. Another use of the common was as a gathering place for preachers; in 1739 John Wesley preached on the common to an estimated 50,000 people. Fifty years later, an early black preacher, the radical Robert Wedderburn, (born to a West African slave woman in Jamaica), spoke here too. So it is no surprise that when looking for sites for the Waterloo churches, Kennington common was chosen. (A young pawnbroker’s assistant on Kennington Park Road, William Booth, continued this tradition of preaching on Kennington Common in the 1840’s. He and his wife Catherine went on to found the Salvation Army.) St. Mark’s took two years to build and was opened by the Archbishop of Canterbury on June 30th 1824, the cost of £15,274 was paid as part of the million pounds raised for the purpose. The great Reform Act of 1831 brought direct representation to Parliament for the first time with 
Lambeth becoming a parliamentary constituency on 7 June 1832. Now voting in elections took place on Kennington Common, though only property owning men could vote. The country was seething with political agitation. The Chartists (‘Peace and Order is our Motto’) described themselves as ‘pining in misery, want and starvation’. They held a mass demonstration on the Common on 10 April 1848. Asking for fair wages and other human rights, the heavily policed event passed off peacefully. However, the Establishment, including the then vicar of St Marks, was frightened. The common was enclosed and cricket moved to the Oval. The new park was run by the ‘Royals’, (the Prince of Wales having given £200 of the £1000 needed for fencing), until it was passed into the hands of what became the London County Council in 1887. Another person with a connection to the area is Field Marshall Sir Bernard Montgomery of Alamein, his father, historian H.H. Montgomery, was vicar here when Bernard was born in 1887. The church was restored in 1931 at which time the glass dome was installed. Bombed in September 1940, it was scheduled for demolition. However, Wallace Bird, a man of vision and faith, became vicar in 1947. The building was partially re-opened in 1949 and fully opened on 12th March 1960. Laurie Smith
In some of the green areas these fences surrounded, the ground bulged up into (often) squared off bulges and once I remember I saw an entranceway into one (Though I can't remember where! Any offers/photos?)
